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House 20
PROJECTS  /  House 20

House 20

Location:
Melbourne
Type:
House
Year:
2010
Architect:
Jolson Architects
Photographer:
Peter Bennetts

Architects statement

Concrete buttresses extrude from sloping ground. These rhythmic elements form a continuous datum upon which the first floor rests; concrete blades in an east-west orientation, which cantilever and stagger beyond the precipice of the bronze wall below. This craning assemblage hovers over an organic knoll of delicately curling asparagus fern, and shelters the entry below.

The house is a sculptural object. The brutal exterior surfaces of the forms jostling concrete blades penetrate the interior, diffusing the interior/exterior threshold and creating a series of individual rooms. The interior unfolds as it is engaged with, rooms fold into each other and are defined by layers not walls. 

The interior is dissected by a 3 story void; an empty vertical room within a room. The upper and lower floors are veiled by a knitted stainless steel mesh which allows textured shadow to dance within the interior.

The basement experience embraces dark tones, rich textures, and celebrates ambient natural light. There is a strong dialogue between surfaces and object; polished monolithic black stone, raw mild steel, black leather, knitted mesh, and ‘slick’ body of black water that embodies the indoor pool.

The first floor is the clients retreat with Master bedroom, dressing room and ensuite. The Study hovers above the landscape knoll and engages with the streets’ plane trees. The contrasting light and dark furniture pallet articulate ‘her’ study from ‘his’ amongst the blade walls. 

The building faces north and draws in sunlight across its breadth. The void acts as a thermal chimney, drawing fresh air through and expelling above. At its base the pond has a cooling effect. The steel mesh veil reduces direct sunlight entry. 

The design affronts the general fascination with mock architectural styles, or adorned boxes with inward looking spaces and a total lack of relationship with site and environment. It engages with the notion of grandness without drawing on imitation, decoration, porticos or columns. Anti-decorative, anti-column.

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Bertoia Bar Stool

Bertoia Bar Stool

Knoll Studio / Harry Bertoia

The Bertoia Barstool is part of Harry Bertoia's iconic 1952 wire collection, an astounding study in space, form and function by one of the master sculptors of the last century. Like Saarinen and Mi... More

Diapason (New)

Diapason (New)

Kreon / Jan Van Lierde

Diapason re-invented A quarter of a century after the design classic "Diapason" was launched by Kreon, the timeless piece in lighting design takes a turn for the future to meet today's re... More

Nay

Nay

Minotti / Rodolfo Dordoni

Nay, a one piece metal frame obtained by putting together two laser-cut discs and a curved plate. Enhanced by sophisticated design and chrome-plated finish, Nay matches the sets of the One World colle... More

Platner Tables

Platner Tables

Knoll Studio / Warren Platner

Platner dining and low tables with forms created by vertical steel wire rods welded to circular horizontal and edge-framing rods. Bright nickel finish with clear lacquer protection. Tops are 10mm thi... More

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